On a warm Sunday evening of July 21, 2024, I decided to watch “Bad Newz,” a film that had created substantial buzz since its release just two days prior. According to Sacnilk.com, the movie raked in nearly ₹10 crore on Saturday alone, indicating a strong box office reception right out of the gate. Directed by Anand Tiwari and produced by the iconic Dharma Productions, this Hindi-language comedy-drama boasted an ensemble cast led by Vicky Kaushal, Triptii Dimri, and Ammy Virk.
Set against the backdrop of an unusual and comedic premise of heteropaternal superfecundation—where twins have different fathers—the film promises a mix of laughter and drama. As the lights dimmed in the cinema, the air was thick with anticipation, but despite the film’s strong start at the box office, I found myself questioning whether it lived up to the hype it had generated.
The Overhyped Ensemble
Vicky Kaushal, coming off his recent hits, plays a vivacious character that virtually carries the film on his shoulders. His performance is nothing short of electric, especially in scenes involving dance numbers like “Tauba Tauba,” where he truly shines. However, this brilliance somewhat overshadows the newcomers and less prominent characters, making the ensemble feel uneven.
Triptii Dimri, who rose to fame rather meteorically post her role in “Animal,” appears underutilized. Her on-screen presence, though charismatic, does not seem to justify the hype surrounding her recent ascent in Bollywood.
Ammy Virk, known for his profound performances in Punjabi cinema, adopts a surprisingly subdued demeanor throughout the movie. This restraint, while showcasing his versatility, might disappoint fans expecting the robust persona typically associated with his previous roles.
Let’s check out audience review
One thing is clear from this #BadNewz film: the makers think the audience is foolish enough to like anything labeled as comedy. Unfortunately, it's childish despite the big budget. The actors try to save it, but in my opinion, they fail. #MovieReview #ComedyFail #BadNewzReview pic.twitter.com/kYgFAICW9b
— Movies Talk Official (@moviestalkhindi) July 19, 2024
A Nostalgic Nudge with a Modern Twist
“Bad Newz” tries to straddle the line between homage and innovation by incorporating elements reminiscent of the old romantic era of Bollywood, particularly Shah Rukh Khan’s films. The remix of “Mere Mehboob Mere Sanam,” originally from the 1998 hit “Duplicate,” is a clear nod to the past. However, this reliance on nostalgia could be perceived as a lack of originality, relying on tested formulas rather than innovative storytelling.
Cinematic Execution and Audience Reception
The cinematography and the soundtrack deserve a special mention. The vibrant visuals complement the high energy of the film, making it a feast for the eyes, while the music, featuring contributions from Rochak Kohli and Vishal Mishra, resonates well with the film’s varied moods.
The audience’s reaction, though mixed, tends towards enjoyment, primarily due to the film’s comedic and light-hearted approach to what could be a complex subject matter.
However, despite these elements, the film does not escape criticism. Some viewers and critics argue that “Bad Newz” skirts around deeper issues, opting for a surface-level exploration of its themes. This has led to a disparity in critical reception, with scores ranging from enthusiastic endorsements of its entertainment value to more tepid acknowledgments of its cinematic shortcomings.
Let’s Read Some Reviews Also!
#Watch | #VickyKaushal is currently the talk of the town due to the release of his movie ‘Bad Newz’. He has taken the internet by storm with his song ‘Tauba Tauba’ and has also been receiving a lot of love from the audience for his stellar performance.
Read More:… pic.twitter.com/0qmrmA1N4m
— Jagran English (@JagranEnglish) July 21, 2024
Is It Really the Worst?
To label “Bad Newz” as the worst Bollywood movie of 2024 would not only be harsh but also inaccurate. It is, without a doubt, a film with flaws and perhaps an over-reliance on star power and tried-and-tested plot devices. Yet, it offers substantial entertainment value, commendable performances, and a soundtrack that adds to its appeal.
The movie might not cater to all tastes, especially those seeking depth and nuance in storytelling. Still, it serves its purpose as a commercial entertainer designed to appeal to a broad audience.
Overall the movie “Bad Newz” stands as a testament to Bollywood’s enduring love for drama, romance, and the occasional over-the-top storytelling. It is average—not because it lacks ambition or quality, but because it chooses safety over innovation.
For moviegoers seeking a few hours of escapism with glossy production and lively music, this film might just be the ticket. For others seeking groundbreaking cinema, the search continues.
As the final credits rolled and the lights in the cinema brightened, I left with mixed feelings—a cocktail of admiration for the technical aspects and performances, tinged with disappointment over missed opportunities for deeper engagement. “Bad Newz,” in the end, is neither a disaster nor a masterpiece; it is a movie that fits snugly within the confines of Bollywood’s glamorous, if sometimes predictable, narrative ambitions. Follow me for more reviews.